Consider the image forming in your mind as you encounter these words. It materialized before photons reached your retina, assembled from the vast archive of every sentence you've processed, every pattern you've internalized. Perception, it turns out, is largely an act of sophisticated remembering—memory animated by just enough present-moment data to feel immediate. Every frame that registers in your consciousness has already been filtered through layers of expectation, shaped by the ghost impressions of everything you've encountered before. Priors makes this invisible architecture visible.
Across sixteen chapters of 4K vertical moving imagery, the work constructs a field of perpetual becoming—where each moment emerges from the reconciliation of what was remembered and what might be. Built through custom generative processes that mirror the brain's own predictive machinery, these moving images exist in a state of constant anticipation, forever reaching toward forms that hover just beyond recognition.
This is perception laid bare: not the passive recording of reality, but its active invention. The system learns, predicts, adjusts much like consciousness itself, generating experience through the endless negotiation between prior knowledge and incoming sensation. What emerges is neither memory nor prediction, but the very space where both converge into the present moment of seeing.